Limp limbs are just a beginning, death can be seen from many angles where in sounds become signs.
No doors on the closet,
Keep mouth open tongue out for a taste
Will it always feel better, then, it looks.
Offshoots of the unconscious passions the muscle momentarily honest; this fertility beyond use or number.
Walking into a room I can not see a thing, so fond when its raining in here.
You are light and hard; noodling around is fine just don’t put that on my internet.
Dig deep and marinate with my mothers, know will no luck.
Delusions of the meat suit prison but I have perfect right to look for information in here. Situation became clearer; cello, bass, save yourself living for those who cannot. Endeavoring perpetual ballad, ironic armies questioning force.
Underwrite my rhythm stand beside you roof off draws new texture dripping arm.
At least when you’re alone you can always go home.
‘Every consciousness pursues the death of another’ but I’m depthening with et al other. How do we modify the seeds that define us by simply approaching? It is rare we touch our bodies with both hands to color our mind, to shape our perception.
Light wet meat suit shake off; the body as lyricist and the mind a river.
Thursday 23 February 2017, 19:00
Organized by : Amor - art platform
An amateur zero budget zero frills contemporary art platform in Tlalpan
Non/Commissioned Piece @ WILD PROJECT NYC
November 10th 2015
Photos by WEIRD MAGIC
"A lot of people run a race to see who is fastest. I run to see who has the most guts, who can punish himself into exhausting pace, and then at the end, punish himself even more."
- Steve Prefontaine
featuring Martha Ursula Moszczynski Jerome Austin Bwire Alex RodabaughJillian Siegel Chelsea Pfohl Moriah McAda-Smith Quenton Stuckey Frank M. Jones Stefan Martin Kathleen Dycaico Erin Grant Alexandra Marzella La Martelle Nathalie Encarnacion
original score by
Alexandra Crotta [PURE ONE]
Rebecca Fin Simonetti [LIVE]
Recycles the residual energies of both dead dog Nike and dead dad Robert to mirror the psychological analysis and acceptance of their intimate violent deaths. The 15 bodies engage with internalized loops that linger, balancing the feel of external distraction. A choreography that is a symphony of symptom, they maneuver through the fragrance of 8 sound artists/producers Lauren adored in the five years since her father's death.
LEVELS1 was created at #WorkInProgress2016 - an artist residency in an empty office building over Times Square organized by Tiffany Zabludowicz;; performance took place at #OfficeHours presented by Performa X Tiffany Zabludowicz.
LEVELS1 is a sequence of exercises exhausted around a duo of executive chairs motivated by fictitious force. The duo of chairs are bolted into a duo of desks, remodeled for the individual's inner advancement. #INTERNALELEGANCE #TherapeuticLifestyleChanges #TLC #WelcometoHomeDepot #Spining
ANT DISLODGE is the final room in Authority Figure; choreographed by Sigrid Lauren, installation/ by Jerome Bwire, sound by DJ NJDRONE featuring Christine Cefalu, Tiffany Clark, Josh Duke Thomas Gibbons, Julia Edwards, Charlotte Jackson, Delaine Kylynn, Caleb Kruzel, Nick Lugovina, Erika Moya, Jillian Siegel, Pam Tietze, & Jenny Tondera.
" Authority Figure is a social psychology experiment that uses choreography, sound and installation to elicit emotional response from the audience. Mirabile and Kinlaw have brought together six choreographers, seven installation artists, original sound compositions by various musicians as well as a cast of 150+ performers to create a performance that motivates the audience to consider relationships to authority, obedience and eachother." authorityfigure.org
LOVE DOGS IN YELLOW LIGHTING
Millennial dilemmas giving vacancy at home
Given vacant direction and constant, waiting drones.
Unrepressed & broken once, twice, twice before.
Give themselves to be, ‘..love dogs no one knows the names of..’
Giving give their names no one’s heard yet; waiting drones.
Spitting bitches in yellow lightening
concentrated designing leaps heaps mo.
In caution & wholly confined in;
drive that bitch through the intersection.
a durational performance previewed at Spring Break Art Fair [Skylight at Moynihan Station] during Armory Arts Week, March 2016.
with the Exfoliations of
Images from Quyn Duong www.quynduong.com
choreographed & performed by FlucT
[Sigrid Lauren & Monica Mirabile] 2015
All photo by Weird Magic
Presented at SUSTAIN RELEASE
Even Cowgirls Get The Blues is a series of solo demonstrations that subverts current social topics [2013-2016] and offers therapeutic exercises accessing the body's internal organs. ECGB uses the voice with a variety of vocoders and pedals to hypnotize, pre-recorded samples from various teachers/artists to support [always including Sasha Go Hard & Bonnie Bainbridge Cohen], and the contorting, thrashing and moving body to extend demonstration.
@ Studio Formichetti [NYC] by Luis Nieto Dickens
@ Otion Front Studio [Brooklyn, NY] by Elise Gallant
BOD[E]SOFTWARE is a new dance work by Sigrid Lauren (FlucT) + Rebecca Warzer (Bennington College) that showcases select F/W 15 pieces from DAIMORF. This dance and fashion event occurred Wednesday February 18th 2015 at 8pm.
BOD[E]SOFTWARE is a generational tongue kiss between two dance artists a decade apart who both recognize the body as a computational and sensual interface. The performance piece uses the moving body as a tool to address the concepts of accelerationism and self-representation.
BOD[E]SOFTWARE is the first ever collaboration between the networking bodies of Gina Chiappetta / Nathalie Encarnacion/ Lauren Glading / Maya Laner / Sigrid Lauren / Whitney Mallett / Monica Mirabile / Gianni Onassis / Seáncé / Whitney Vangrin / Bebe Ya-Ma. The material sources, and subsequently distorts, classical images of gendered self-representation on the Internet, specifically on Instagram. The piece approaches a new language of images that describes a mono-gendered representation online.
BOD[E]SOFTWARE scrolls through material that relates the performativity of these constructed identities on Instagram with the performativity of moving bodies in an IRL dance context.
DAIMORF is a non binary fashion label based in NYC striving to synchronize the sexes via wearable duality. The pieces modeled by the dancers are a combination of the unseen F/W 15 collection, previous S/S 15 collection and custom pieces for the performance.
Photos by Gustavo Ponce, Sam H Clarke, & Katharina Poblotzki
A FlucT Production mirroring a 'traditional' FlucT performance/formula with 13 women for the first time for the MODEL HOME performance art installation series.
MODEL HOME is a performance art installation series curated by FlucT (Sigrid Lauren & Monica Mirabile ) and set in an almost life-size DOLLHOUSE with a playground, complete with a stripper pole and swing set.
Secret Project Robot Art Experiment and Fluct collaborated with different artists throughout the April 2015 to create an immersive performance event deriving from the familiar interpretations of "home" / house / suburb / doll / movement poetics and culture.
PHOTOS BY JUAN BELTRAN
EDITORIAL ON FLUCT+ ON TOPICAL CREAM: http://topicalcream.info/editorial/model-home-fluct/
VIDEO : https://www.youtube.com/watch?v=OITeJ50T1_s
January 9th 2014: Gray Spaces, The Special Effects Festival at The Wild Project NYC
January 10th 2014: Susanna Bartsch and Marc Streit event, REALNESS A Night of Dance Art, at the Tribeca Grand NYC
All photos by Elise Gallant
In their newest collaboration, multi-disciplinary Canadian artist Rebecca Fun Simonetti and NYC-based performance artists Sigrid Lauren & Monica Mirabile [FLUCT] transformed a Bowery chandelier store into an immersive performance-installation. Audiences were directed through the store by a team of anonymous “security guards”, and given brochures made by outlining a series of exercises choreographed by FlucT meant to “prepare the mind and body for commercial overdose”. FIN'S music reverberated amidst a cave of chandeliers while FlucT embodied glitchy identities of a business woman and a yoga girl, simultaneously performing enduranced based poses from the brochure. Throughout the space, FIN projected video loops of her animation through/into chandeliers - refracting images onto the audience and performers. Combining various mediums, Hardening engages with notions of cultural fantasy, consumer impulses, and the construction of female identity. For this special hour-long piece, Sigrid Lauren, Monica Mirabile, and Rebecca Fin Simonetti activated the power of a commercial space as a tool for both manipulation and enchantment.
Photos Elise Gallant
Six female dancers experience and respond to their objectified representations in the early 2010’s. They are indistinguishable in appearance, commodified aesthetically, as they experience a parallel unconscious response. Curves out their, beyond Gandolf; rope a nu ‘objectification.’ Nus trend created in presence, posture, and identity.
Curated by Doug Post at Dixon Place, September 2014; featuring Laura Bartzcak, Sara Blazej, Hanah Mary, Whitney Mallet, Martha Moszczynski, and Susannah Simpson.
FlucT performs Control Top at Queens Museum, New York 2014
A performance investigating the alienation and cultural depictions of the vagina. Utilizing a series of select pop songs, reversed audio manifestos, and civil war chants, Sigrid Lauren and Monica Mirabile tell a new tale to their readers in 'PEACH PICKIN HOE DOWN' presented at NY ART BOOK FAIR, MoMa PS1 on September 27th 2014. This piece was also performed as apart of the FUTURE SAD at Grace Exhibition Space on September 5th 2014.
Transvalue, the Appraisal of Social Bodies is a new work by the dance project FlucT debuting at Fitness Center for Arts & Tactics July 20-21st. Transvalue is a critical exercise to expose and exorcise the effects of capitalist values on our bodies, minds, and, specifically, our ability to commune. FlucT's methods are informed by mixed media strategies, including choreography, photography, installation, and immersive performance. At Transvalue, the audience is to be led through five rooms, each focused on a medium, where they will be further engaged by a mix of synchronized choreography and informed improvisation. Transvalue features over 14 moving artists and 7 original sound arts/mixes that become revealed as a narrative while walking through.
Participating Performers: Alex Crotta, Ana Lieberman, Billy Fortini, Bradford Kessler, Ciara Clements, Genevieve Belleveau, James Thomas Marsh, Kei Kreutler, Monica Mirabile, Sara Blazej, and Sigrid Lauren.
Original sound art and mixes from: Schwarz, Dan Deacon, Spirit Guide, Logan Takahashi (Teengirl Fantasy), David Wightman (Extreme Animals), gorgeousTaps & Sigrid Lauren.